Vancouver: BC. Two years ago I was in New York for a week with my family to hear my granddaughter sing with a youth choir in a program at Carnegie Hall. While they were occupied with rehearsals, I took the opportunity to see a matinee performance of The Curious Incident of the Dog in the Night-Time. Based on Mark Haddon’s extraordinary book, it tells of a singular coming of age event in the life of Christopher Boone,  a young autistic boy.   I remember being blown away by the acting, the extraordinary athleticism of the choreography and by the stunning technicality of that production, telling my kids that this was among the best theatre productions that I had ever seen. But now, two years later what I chiefly remember of the Broadway production is the manifestation of a sensory overloaded mind created by the staccato lighting and videography effects on the black cube set.