And that tragedy is at the heart of Daniel MacIvor's insightful new play. In a "snapshot" inspired by the visit of Tennessee Williams to Vancouver shortly before his death in 1983, MacIvor shows us a man terrified that the talent that made him a great Playwright has deserted him. He clings to the hope, however faint, that his writing still has the "it" that the critics and audiences love because the reality is that he has to go on living though he is, to paraphrase another great playwright, "sans inspiration, sans love, sans everything."